The Next Step Media Fund grants are being provided for the second year, through funding from the John D. and Catherine T. MacArthur Foundation designed to support and encourage a diverse slate of emerging filmmakers. “The MacArthur Foundation supports documentary films that explore contemporary issues through powerful human stories, challenge stereotypes and misperceptions, and promote understanding and empathy for different points of view," said Kathy Im, Director of Media, Culture and Special Initiatives at the John D. and Catherine T. MacArthur Foundation, “We are thrilled to support Firelight Media and its Next Step Media Fund because this program nurtures a cadre of filmmakers very likely to direct and produce the type of films we’d like to see made.”
Four 2013 projects were selected to receive funding and were chosen from Firelight Media’s current roster of Producers’ Lab participants by a jury comprised of: Tamir Muhammad (Tribeca Film Institute); Cynthia Lopez (POV); Film programmer Chi-Wei Yang, and Firelight’s Stanley Nelson (Co-Founder) and Loira Limbal (Deputy Director).
Each of these projects has received direct mentorship support from award-winning filmmaker and Firelight Co-Founder Stanley Nelson who says, “it’s one thing to provide guidance to these filmmakers, but without direct fiscal support many projects don’t get made, and so we’re invested in making sure that we see our Producers’ Lab participants through the entire process—guiding them in their filmmaking practice, supporting them as they work towards broadcast, and now, ensuring that they have some funding to rely on during phases of production where support is always needed, but often unavailable. In the future, we hope to be able to support the entire lab with this much needed funding.”
The projects selected to receive a total of $70,000* include:
Wednesdays in Mississippi by Marlene McCurtis - $15,000
Wednesdays in Mississippi tells the little known story of the unlikely alliance and friendship between the “Godmother of the Civil Rights Movement”, Dr. Dorothy Height and Polly Cowan, a wealthy, New York Jewish activist. In defiance of a world in which women took their lead from their husbands, in defiance of the unacknowledged sexism inherent within the Civil Rights Movement itself, and in defiance of a world in which black women worked for white women, not with them, these two remarkable women fought together to effect lasting change.
Hazing: How Badly Do You Want In by Byron Hurt - $10,000
Hazing will be a 60-minute documentary film that will explore why the controversial practice of hazing continues to be widely seen as a meaningful and legitimate rite of passage, despite mounting lawsuits, fraternity/sorority chapter suspensions, increased media coverage, serious injuries, arrests, and tragic deaths.
Trapped by Dawn Porter - $15,000
Trapped will follow the progress of two Southern abortion clinics – Reproductive Health Services of Montgomery in Montgomery, AL and the Jackson’s Women Health Organization in Jackson, MS as they struggle to stay open in the face of an increasingly hostile legal and political climate.
Mr. SOUL! by Melissa Haizlip - $15,000
From 1968-73, America got SOUL! – televisionʼs first “black Tonight Show.” The film celebrates the groundbreaking PBS series from its genesis to its eventual loss of funding against the backdrop of a swiftly changing political and social landscape, while profiling Ellis Haizlip, the charismatic man behind one of the most culturally significant and successful television shows in U.S. history.
*A fifth project will be announced at a later date
About Firelight Media: Firelight Media is a non-profit organization dedicated to developing talented documentary filmmakers who tell stories about people, places, cultures and issues that are underrepresented in the mainstream media. Firelight Media was founded in 1998 as an independent non-profit production company and has been best known for producing high-quality powerful productions for PBS and its dynamic educational outreach campaigns. However, in 2008, Firelight Media expanded its work to include developing and supporting the next generation of filmmakers.
About the Producers’ Lab: Firelight Media’s flagship program is the Producers’ Lab, a mentorship program for talented independent producers of color. Participating producers work with award-winning filmmaker, Stanley Nelson and his team of senior producers, writers, editors, new media, and fundraising specialists to complete their projects for a national broadcast. Firelight Media started the Producers’ Lab as a way to provide infrastructure support for diverse producers to help overcome some of the barriers to completing their film or video.
Lisa Lucas Director of Communication 212.234.1324 Ext. 7# email@example.com
Recently, Firelight Films teamed up with Communities United for Police Reform to produce a video series, the Where I Am Going Campaign, which aims to show the real impact of stop-and-frisk on individuals and communities. Over the next few months, we’ll be sharing a number of stories from people directly affected by the policies, beginning with Kasiem Walters, a high school senior from Flatbush, Brooklyn. He has been stopped and frisked by the police eight times in his community. Watch his moving story here.
Documenting these stories is the first step in helping others understand the consequences of stop-and-frisk. If you have an experience with stop-and-frisk that you want to share, let us know through Twitter or Facebook using the hashtag #WhereIAmGoing. Or simply share these videos and add your voice to a national conversation on racial profiling.
Before Spike Lee, Henry Hampton, Stanley Nelson, St. Claire Bourne, and many other successful black documentary makers, there was Bill and Bill. Steeped in black history and culture, the work of these two pioneers laid a firm foundation for many of today's black filmmakers who continue a proud tradition of storytelling that began with Oscar Micheaux, Spencer Williams, and others.
This event is Co-presented by Firelight Media and the Schomburg Center for Research in Black Culture.
Although this event is free for public, registration is required. Click here to register today!
For me, these projects are so close together in terms of era—1964 and 1966, but they are incredibly different stories. In many ways they are about different paths to liberation for African Americans. These projects are important now because we want to capture the voices of those who were active in those struggles and are aging. They are also about how individuals can participate and make a call to action in very different ways: one group fighting for the vote and for change within the system and the other saying we need drastic revolutionary change in this country. In many ways, young people have mythologized them, but many don’t know the true story. We want to make these figures human and demonstrate that the people who participated were really young. Movements can happen if you participate and if you believe in them.
Firelight Media & OSF Seminar: Creating Social Impact through Story in a Transmedia World -- Application Due April 27th!THE FIRELIGHT MEDIA PRODUCERS' LAB & OPEN SOCIETY FOUNDATIONS PRESENT: Creating Social Impact through Story in a Transmedia World A two-day Seminar MAY 3RD AND 4TH, 2012 The Firelight Media Producers' Lab & Open Society Foundations (OSF) cordially invite emerging producers and directors of color to apply to the our latest seminar: "Creating Social Impact through Story in a Transmedia World." Over the course of two days, broadcasters, programmers, independents, executives, and community organizers will explore how social and transmedia has: diversified media content, altered means of production, and broadened platforms of distribution. This seminar will be held in New York City. Details TBA. Interested producers and directors please complete the attached application and email to: firstname.lastname@example.org. In the subject line please type “Firelight & OSI Application May2012”. Download a copy of the application here: fm_osi_seminar_application DEADLINE EXTENDED! All applications must be received Friday, April 27th.
The Full Frame Festival honored Nelson for his work with a multi-day Tribute.